For years now (and indeed again next season) ENO has relied on Jonathan Miller's venerable Mikado as a reliable revival. How the management must have hoped that hiring Mike Leigh on the back of Topsy-Turvy to direct Pirates of Penzance would furnish them with an alternative such show. But it was not to be.
Let us start, however, with the positives. This is a pretty good show musically. There are no weak links in that department among the soloists and two stand-out performances from Joshua Bloom as the Pirate King and Claudia Boyle as Mabel. It is perhaps no coincidence that those two are also the most successful individuals in transcending Leigh's lifeless production. Among the rest Robert Murray sings well as Frederic, but lacks stage presence, and all the chemistry in their partnership comes from Boyle. Andrew Shore hams it up as the Major-General – fine in theory in this rep, but it needs to be a bit more tongue in cheek. There were flashes of promising presence from Alexander Robin Bloom's Samuel, Soraya Mafi's Edith and Lydia Marchione's Isabel – a more talented director could have made something of them all, Leigh pretty completely fails. The singing and playing of chorus and orchestra under the direction of David Parry is of a good standard, but I couldn't help feeling in places (the Act 2 double chorus and Hail Poetry are obvious examples) that the chorus needed more vocal weight.