Note: This is a review of the evening performance on Saturday 7th April 2018.
With the exception of a recording by Gerald Finley of an aria from The Silver Tassie, I've not got on with Mark-Anthony Turnage's operas in the past. I saw productions of Greek (Music Theatre Wales at the Linbury) and Anna Nicole (Royal Opera), and in neither case did they make me want to rush to hear the work a second time. On the other hand I enjoyed the film of Coraline, I'm generally a fan of Neil Gaiman's work and of fairy tales, so I hoped in advance to enjoy this adaptation. There is much to commend in the strong performances and the well crafted staging, but for me the work itself is problematic.
The ensemble of singing actors and actresses is excellent. Diction is really outstanding and the absence of subtitles is not a problem, though parts of the libretto might have benefitted from being more obscured. Mary Bevan in the title role sings with impressive power, and throws herself fully into the part - on this showing it seems to me fundamentally very challenging for an adult to fully convince as an 11 year old child while singing operatic fashion, and the fact that for me Bevan wasn't wholly convincing in this regard should not detract from the overall high quality of her performance. Kitty Whately as Mother/Other Mother shows fine versatility and I should not have known she was recovering from laryngitis without the pre-show announcement.