Thursday, 31 December 2015

Highs and Lows of 2015

Where has the year gone?!

Best Opera: Not a vintage year at either of London's two main houses, but fortunately other places made up for it. A tie between a show I didn't review, Glyndebourne's witty, straightforward, and human Die Entfuhrung aus dem Serail and the outstanding semi-staged Le Nozze di Figaro at the Edinburgh International Festival.

Worst Opera: The Royal Opera made a strong bid for this award with their dire production of Guillaume Tell, and English National Opera also tried for it with their dreary Pirates of Penzance, but no opera in 2015 was completely without redemption. No award.

Best Play: A vintage year. Honourable mentions to the moving 3 Winters at the National in early January and to the RSC's Oppenheimer. Even then it's still almost impossible to separate three top class shows: the Barbican's superlative Waiting for Godot (I haven't laughed so much at a show since One Man Two Governors), the National's mesmerising Man and Superman and the smaller scale but no less powerful Temple at the Donmar. Godot just edges it.

Worst Play: Exceptional level of competition for this and almost all of it was from one venue, Rupert Goold's Almeida. Critical opinion keeps raving about work there, from where I was sitting in 2015 it was flop after flop. The worst was the ghastly Game back in March. Honorable mention for the Traverse's revival of the interminable An Oak Tree at the Fringe.

Best Musical: A tie between two shows I didn't get round to reviewing, the Donmar's outstanding revival of City of Angels, and Memphis in the West End – the latter a far tougher and more powerful take on American race relations than I'd anticipated.

Worst Musical: There was no award for this until in mid-December Rufus Norris's misfiring first year at the National made a successful bid for it with the dismal wonder.land. Will it survive till April?

Unclassifiable Show of the Year: The remarkable En avant, marche! at the 2015 Edinburgh International Festival. Comes to Sadler's Wells for a short run in June as part of LIFT 2016. Well worth catching.

What am I looking forward to in 2016: Judi Dench in The Winter's Tale and Zoe Wanamaker in Harlequinade in early January. The return of the Lincoln Centre Jazz Orchestra to the Barbican in February. The incredibly starry casting of Grey Gardens in Southwark. And with luck (as I'm still waiting to hear about my ballot result) a number of goodies in Glyndebourne's very exciting 2016 season.

Shows Dr Pollard is still waiting for revivals of: Stephen Oliver's Timon of Athens, 1776 the musical (with the number of off-West End musicals these days you'd think somebody would get round to this gem), Prokofiev's War and Peace (presumably the ROH can't find an off the wall director who wants to do it and ENO has likely both junked the marvellous Albery production and in any case can't afford even a revival of such a show at present) and a proper main stage revival of Follies (if only Norris had picked that for his inaugural musical revival at the National rather than the Threepenny Opera).

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